"Nick Fury"Bio: Official Marvel Comics Bio, Wikipedia Bio
Pictures: Nick Fury Photo Album
--------------------------------------------
"Nick Fury"
"Daredevil"----------------------------------------
Cast
"Steve Rogers / Captain America" - Matt Salinger
"Sharon & Bernice Stewart" - Kim Gillingham
"The Red Skull" - Scott Paulin
"Valentina de Santis" - Francesca Neri
"Dr. Maria Vaselli" - Carla Cossola
"President Tom Kimball" - Ronny Cox
"General Fleming" - Darren McGavin
"Young General Fleming" - Bill Mumy
"Lt. Col. Louis" - Michael Nouri
"Sam Kolawetz" - Ned Beatty
"Young Tadzio de Santis" - Massimilio Massimi
"Jack" - Jack Prentice
--------------------------------------
Based on the comic book "Captain America" published by "Marvel Comics"
Story by: Stephen Tolkin and Lawerence Block
Screenplay by: Stephen Tolkin
Directed by: Albert Pyun
"Captain America" Created by: Joe Simon and Jack Kirby
--------------------------------------
Theatrical Release: December 14, 1990 in The United Kingdom (Limited Run), Unreleased in North America
DVD Release: July 22, 1992 (VHS Release), No official DVD release
--------------------------------------
----------------------------
-----------------------------------------------------
Cast
"Bruce Banner / The Hulk" - Edward Norton
"General 'Thunderbolt' Ross" - William Hurt
"Emil Blonsky / Abomination" - Tim Roth
"Dr. Samuel Stern" - Tim Blake Nelson
"Dr. Leonard Samson" - Ty Burrell
"McGee" - Nicholas Rose
"Tony Stark" - Robert Downey, Jr.
"Security Guard & Voice of the Hulk" - Lou Ferrigno
-------------------------------------------------
Based on the comic book "The Incredible Hulk" published by "Marvel Comics"
Story by: Zak Penn
Screenplay by: Zak Penn & Edward Norton (Uncredited)
Directed by: Louie Leterrier
"The Hulk" Created by: Stan Lee & Jack Kirby
--------------------------------------------------
Theatrical Release: June 13th, 2008
DVD Release: October 21st, 2008
---------------------------------------------------
(Teaser Trailer)
---------------------------------------------------------
----------------------------------------------------------
Cast
"Dr. Bruce Banner / Hulk" - Eric Bana
"Betty Ross" - Jennifer Connelly
"General Thaddeus 'Thunderbolt' Ross - Sam Elliot
"Major Glenn Talbot" - Josh Lucas
"Mrs. Krenzler" - Celia Weston
"Edith Banner" - Cara Buono
"Security Guard" - Lou Ferrigno
"Security Guard" - Stan Lee
------------------------------------------------------------
Based on the comic book "The Incredible Hulk" published by "Marvel Comics"
Story by: James Schamus
Screenplay by: James Schamus & Michael France, John Turman
Directed by: Ang Lee
"The Hulk" Created by: Stan Lee & Jack Kirby
-------------------------------------------------------------
Theatrical Release: June 20th, 2003
DVD Release: October 28th, 2003
-------------------------------------------------------------
At RYKER’S ISLAND prison a CORRECTION OFFICER is patrolling the cell blocks. The CORRECTION OFFICER stops in front of the cell belonging to KRAVEN THE HUNTER.
PETER is walking to GWEN’s house when his spider sense alerts him of a dozen small robots approaching. PETER quickly ducks into the shadows and emerges as SPIDER-MAN. The robots scatter and SPIDER-MAN chases them. One by one SPIDER-MAN destroys the small robots. The final robot leads SPIDER-MAN to BATTERY PARK before it self destructs. SPIDER-MAN looks out into the distance where he can see sonic laser beams shooting up into the sky on LIBERTY ISLAND.
SPIDER-MAN arrives on LIBERTY ISLAND, encounters KRAVEN, and they engage in hand to hand combat. SPIDER-MAN cannot defeat KRAVEN and tries to escape. SPIDER-MAN cannot swing out of harms way so he must escape on foot. SPIDER-MAN cannot focus his spider sense because of the many dangers facing him from all angles. SPIDER-MAN meets SCORPION who is distracting him as RHINO charges. RHINO smashes SPIDER-MAN and they fight. SPIDER-MAN escapes from RHINO and SCORPION contacts MR. TOOMES to inform him of the mission’s status. At the OSCORP lab in a secret area MR. TOOMES gases himself with his own version of the GOBLIN SERUM.
Back at LIBERTY ISLAND the mission continues. SPIDER-MAN meets the FAKE SPIDER-MAN. SPIDER-MAN defeats the FAKE SPIDER-MAN and removes his mask to reveal the CHAMELEON. Suddenly SPIDER-MAN’s spider senses alert him of danger. SCORPION dashes by SPIDER-MAN and SHOCKER hits SPIDER-MAN with a sonic blast. SCORPION again contacts MR. TOOMES to give a mission update. In his secret lab MR. TOOMES is opening a chamber containing a WINGED POWER SUIT.
The battle continues as SPIDER-MAN fights SHOCKER and SPIDER-MAN escapes. KRAVEN supplies a distraction to SPIDER-MAN while SCORPION hits SPIDER-MAN with his armored tail. SPIDER-MAN fights SCORPION and the rest of team join in. KRAVEN, SHOCKER, RHINO, and CHAMELEON each take cheap shots at SPIDER-MAN. The gang assault is interrupted by the high pitched shriek of a monster. LIZARD leaps out of his hiding and begins to attack the SINISTER 5. SCORPION tries to contact MR. TOOMES. Up in the city sky there’s a stream of flames moving extremely fast. On LIBERTY ISLAND the team of SPIDER-MAN and LIZARD are still engaged in battle with the SINISTER 5. The fight comes to a close, SPIDER-MAN and LIZARD are victorious, but VULTURE appears holding GWEN STACY hostage.
VULTURE takes GWEN up to the crown of THE STATUE OF LIBERTY. SPIDER-MAN fights VULTURE in the sky surrounding the STATUE OF LIBERTY. VULTURE grabs GWEN, tosses her into the sky, jets over to SPIDER-MAN, and grabs him. VULTURE tries to fly away but SPIDER-MAN shoots a web line onto the STATUE OF LIBERTY to anchor himself. GWEN has fallen below the crown level of THE STATUE. SPIDER-MAN tries to break free, MR. TOOMES laughs, and LIZARD jumps onto VULTURE’s back. VULTURE’s power source is damaged, he releases SPIDER-MAN, and he plummets with LIZARD on his back. SPIDER-MAN rushes to save GWEN but is too late. On the other side of THE STATUE lay the bodies of VULTURE and LIZARD.
AUNT MAY is watching the news report about the death of ADRIAN TOOMES, the incarceration of the SINISTER 5, and end of OSCORP. There is no mention of LIZARD. PETER arrives to pick up AUNT MAY for GWEN’s funeral. Before they leave PETER confesses to AUNT MAY that he is SPIDER-MAN. At GWEN STACY’s funeral a gloved hand takes hold of PETER’s hand. PETER looks up to see MARY JANE wearing a black veil, standing beside him, and remaining silent. AUNT MAY stands on the other side of PETER and takes hold of his other hand.
THE END
Was this a good story? Did you read Spider-Man 4 & 5? Do you think I need a life?
Leave a comment. You don’t have to use a condom.
Click here for PART 3: SPIDER-MAN 5
At the DAILY BUGLE office J. JONAH JAMESON is yelling at PETER for not capturing a photo of RHINO. JAMESON tells PETER not to return to work until he has a picture of RHINO. At the home of AUNT MAY a television is playing a soap opera starring MARY JANE. In the background AUNT MAY’s voice can be heard speaking to someone. PETER and GWEN enter the house, PETER’s spider-sense goes off, and to his surprise he finds AUNT MAY sitting with ADRIAN TOOMES drinking coffee together. AUNT MAY explains to PETER how she and MR. TOOMES exchanged numbers when they first met at the OSCORP charity event last year but she was too timid to call. She further explains that MR. TOOMES felt the same way but recently mustered up the courage to call her. MR. TOOMES thanks AUNT MAY for the coffee and leaves claiming he has important work to do in the office. At the OSCORP lab MR. SCHULTZ reveals himself to be the one who saved RHINO and he now goes by the codename SHOCKER.
Over at MRS. CONNORS’ house PETER and GWEN have just finished eating dinner. Outside the house RHINO is running towards it. Inside the house PETER’s spider-sense goes off as RHINO breaks the wall. RHINO runs through house blasting through the other side and continues running. PETER tells GWEN to call the police, grabs his camera, and chases after RHINO. SPIDER-MAN’s pursuit of RHINO is cut short when he is once again hit by a sonic blast. The SHOCKER comes out of hiding and begins to fight SPIDER-MAN. The battle ends when SPIDER-MAN narrowly escapes.
The next day at the DAILY BUGLE office JAMESON is angry at PETER for bringing him blurry out-of-focus pictures of RHINO. JAMESON fires PETER but also tells him the job may be given back to him if he brings in pictures of RHINO. At the OSCORP lab MR. TOOMES is infuriated by RHINO’s and SHOCKER’s effort to capture SPIDER-MAN. MR. TOOMES formulates the final plan to capture SPIDER-MAN. PETER meets GWEN outside a movie theater and he tells her about losing his job. GWEN tells him not to worry and offers to pay for his movie ticket. At the home of AUNT MAY she hears a knocking on the door and answers it. MR. TOOMES stands in the doorway and tells AUNT MAY he has a surprise for her.
Over at the theater MAC GARGAN has arrived. He hands a note and a photo of PETER to a theater usher while giving instructions to pass the note on to PETER. Inside a limousine AUNT MAY asks MR. TOOMES about their destination. MR. TOOMES again tells her it’s a surprise. At the theater PETER and GWEN exit the movie and are stopped by the theater usher who hands PETER the note. PETER reads the note which tells him to check on the safety of AUNT MAY. PETER makes up an excuse to leave GWEN so he may go investigate.
SPIDER-MAN races across town to AUNT MAY’s house and is met on the rooftop of her apartment building by SHOCKER. The two of them begin to fight and RHINO joins the battle. SPIDER-MAN fights SHOCKER and RHINO two against one. The battle is intense and causes major damage to the apartment building. SPIDER-MAN defeats both SHOCKER and RHINO and they are taken into custody.
The next day PETER gives JAMESON photos of RHINO and SHOCKER but PETER is sad because AUNT MAY is still missing. JAMESON gives PETER his job back and sympathizes for PETER’s lost. JAMESON in a show of goodwill gives PETER a pay bonus. At the home of AUNT MAY sits PETER and GWEN wondering about her whereabouts. Suddenly the front door opens and AUNT MAY cheerfully walks inside the house. She approaches PETER who questions her cheerfulness. AUNT MAY tells PETER and GWEN that she is engaged to be married with MR. TOOMES. At the home of MRS. CONNORS she is packing boxes. She can be seen through the giant hole in front of her house. Hiding in the shadows watching her is LIZARD and he whispers her name to himself.
Did you enjoy? Will you return for the final chapter? Should I never be allowed near a computer again?
Drop some feedback... you'll feel 10 lbs. lighter.
Click here for PART 4: SPIDER-MAN 6
Click here for PART 2: SPIDER-MAN 4
SPIDER-MAN patrols the night eventually finding the LIZARD and chasing it throughout the city and ending up in the sewer system where they battle for the first time. The LIZARD escapes but SPIDER-MAN has captured the photo JAMESON wanted. At the Bugle PETER submits the photo and JAMESON gives him an invitation for the OSCORP charity event. JAMESON tells PETER that he was personally requested by the new C.E.O MR. TOOMES to cover the event for the Bugle.
That same night SPIDER-MAN is searching the city for the LIZARD but encounters KRAVEN THE HUNTER and a battle ensues. SPIDER-MAN escapes but KRAVEN has obtained SPIDER-MAN’s scent. The next day PETER invites GWEN STACY to the charity event but she declines. Later that night PETER arrives at the OSCORP charity event with AUNT MAY as his date. MR. TOOMES introduces himself to PETER and AUNT MAY. PETER’S spider-sense goes off and he scans the room for potential danger. PETER spots KRAVEN and assumes he is what triggered his spider-sense. MR. TOOMES engages in conversation with AUNT MAY and takes her away as PETER begins to snap photos of the event. KRAVEN captures SPIDER-MAN’s scent in the air and looks around the room to pin point it. PETER becomes nervous and looks for AUNT MAY which he finds still conversing with MR. TOOMES. PETER grabs AUNT MAY and they leave the event.
Outside the banquet hall PETER and AUNT MAY run into GWEN STACY. PETER introduces AUNT MAY to GWEN and AUNT MAY. KRAVEN is still tracking down the scent and exits the banquet hall, but PETER’s spider-sense alerts him. PETER hails a taxi and invites GWEN to AUNT MAY’s house for some dinner and coffee. GWEN accepts and the three of them leave just as KRAVEN is approaching. At the house GWEN and AUNT MAY are conversing. GWEN mentions the disappearance of DR. CONNORS and PETER begins to question her about it. KRAVEN arrives at AUNT MAY’s apartment building still tracing SPIDER-MAN’s scent.
PETER’s spider-sense goes off and he rushes to the window. PETER witnesses LIZARD going into an alley way and rushes out the house making an excuse for his departure. SPIDER-MAN follows LIZARD’s trail and KRAVEN follows them both. SPIDER-MAN finally corners the LIZARD, KRAVEN appears, and an intense three way battle begins. The fight reaches the water front of the city and hits the climax when KRAVEN fatally wounds the LIZARD and it falls into the ocean to its apparent death. SPIDER-MAN defeats KRAVEN and leaves him for the authorities to take into custody. LIZARD’s body is never recovered.
The next day PETER PARKER is speaking with DR. CONNORS’ wife and telling her he will use all his resources to find her husband. At the OSCORP building MR. TOOMES explains to his assistant MAC GARGAN his plans for capturing SPIDER-MAN so he may replicate his abilities. At the home of AUNT MAY the television reports KRAVEN’s arrest. PETER walks into the house and is surprised to see GWEN STACY sitting with AUNT MAY. GWEN invites PETER out on a date and he accepts.
(Stay tuned for PART 3 - "SPIDER-MAN 5" and PART 4 - "SPIDER-MAN 6")
Was that a Good idea? or Bad idea? Will you be back for the rest of the story? Should I stop writing and take up knitting? Leave a comment below
Click here for PART 3: SPIDER-MAN 5
I’m going to come right out and say it, SPIDER-MAN 6 must include THE SINISTER SIX. There are so many reasons why this will work and be a good move on the Studios behalf. This new trilogy of SPIDEY-MOVIES has the potential to be the biggest comic book movie series of all time. The movie-to-movie build up of SPIDER-MAN’s biggest challenge can become THE LORD THE RINGS of comic book films. With principal photography for SPIDER-MAN 4 on the horizon it’s safe to say the Director and Crew already know where they’re headed with the new cinematic adventures of SPIDER-MAN. Not to say that this article will change their minds, but even they wanted to change the direction of the movie, it might be accurate to say it’s too late. Hopefully these so-called “smarter than us” Hollywood people already thought about this idea, and are executing it in a smarter way because they are smarter than me. I will provide a short list of reasons why THE SINISTER SIX has the ability to be the greatest thing in SPIDEY-CINEMA history.
3 Reasons why THE SINISTER SIX should be the New SPIDER-MAN Trilogy
Did you like, did you hate? Do you agree or disagree? Is my spelling off?
Leave a comment below. It’s free
Click here for PART 2: SPIDER-MAN 4